CCM Roundup – January 20, 2008 – Jon Foreman not selling out and a healthy serving of ChristCore
Welcome to the SECOND CCM (Contemporary Christian Music) roundup! There are two albums being released in Christiandom this week and I was able to “acquire” the full releases this week, which excites me greatly. With the introduction of actually listening to a whole album to give a more proper review, I will now introduce a RATING SYSTEM. Boohyah, that’s right, you heard me right. I will now be giving the albums I review a rating. Now there is much debate for a correct rating system in this world, but I’m going to just use the classic scale of 1-10. It seems easier that way, you know? Sometimes, I won’t be able to listen to a whole album or I’ll hate the music so much that I won’t listen to the whole album. In those cases I’ll give the bands/albums a different, more not-fair review to be determined at the time of writing. Without further adieu, here are the reviews!
Fiction Family – Fiction Family
Looks like Jon Foreman of Switchfoot is at it again. Does this guy ever sleep? Between Switchfoot, his four solo EP’s last year, and being a sellout, where does he have time for another project? Well, he apparently does, thus we have Fiction Family. The “band” is actually collaboration Jon Foreman of Switchfoot and Sean Watkins of Nickel Creek .

This photo just looks awkward.
According to the duo’s bio, “The album was recorded and written in parts over the span of three years with no real deadlines.” Watkins explains the process of the recording in a post on the duo’s myspace pretty well:
Most of the time while making this record, we were thinking that we’d probably end up just giving it away online and perhaps play a few shows. Just that sounded fun and fulfilling enough for the work we were putting into it. We recorded it all at our homes in north county San Diego. The basic tracking was done as he and i playing in front of a few mics at his or my house on the very rare days that we were both off the road over the last couple years. When one of us had time off and the other was touring, whoever was home would chip away at the songs alone and send emails with overdub/harmony/etc ideas. With a just few exceptions we played all of the instruments on it. Not on purpose, but more because it was just easy and the songs ended coming to life at random times and sporadicly. It was a very relaxed and home oriented project.
Well it’s obvious the album has turned into more than just a free giveaway because they’ve got national distro, press, and are accompanying the release with a 15 city tour.
I was able to get my hands on the album and listen to it in its fullest today. I would definitely put the album in the folk category, but thank Jesus none of that twangy country-style folk crap. This is straight up modern folk music. One thing I really appreciate about this album is the ground rules that were set by its creators. According to Watkins in an interview, “We came up with a few cowboy rules for the project: No double tracking. No pussyfooting. No tuning of vocals.” Hear that? No PUSSYfooting! But really, in a world of music that is full of melodyned and autotuned vocals, it’s a breath of fresh air to hear two seasoned musicians making good music without the aid of those tools.

Yeah, that’s right, I called this good music. I really enjoy this album. You can tell that its creators really enjoyed making this project, and that they did this as an expression of music rather than for corporate record hacks. It’s excellently recorded and produced and according to another interview of Watkins, “nobody touched it [the album] but us.” This again attests that this is truly a home grown project, that not only sounds great, but showcases the songwriting talent, musical ability, and production abilities of these two. I gotta give these two some major props for this release. Just so I don’t sound like a fanboy, you can definitely tell that this album was a bunch of different material pieced together from two different songwriters. It doesn’t flow like some albums do; there are many different turns throughout the whole thing. However, in my humble Godly opinion, it actually makes the album better. It doesn’t get boring and every song sounds different. Go buy it now.
Oh yeah, I guess I should discuss if this is a “Christian” album lyrically. No, not really. The songs talk about life and love and the typical Foreman (he was the principle lyricist for the album) hints of spirituality. I was quite surprised with Foreman’s EP that were filled with songs of worship and songs about God, but this doesn’t have the same forwardness with his faith. However, you bet your ace this will be distributed among Christian circles.
This album will be uploaded to my digital music player by the end of the day, there’s no doubt about that.
Final Rating: 8/10 for well crafted songwriting and production showcasing two musicians in their artistic prime.
Underneath the Gun – Forfeit Misfortunes
According to their bio, UTG “delivers intense death metal influenced hardcore. While their speedy and dexterous instrument gymnastics ignite firestorms in the mosh pit, the message behind the fury is one of love, hope and compassion.” These guys are definitely unashamedly Christian in that the guitarist is quoted in their bio as stating “Underneath the Gun, while it sounds harsh, is about our time on this earth and how we should use that time to get right with the Lord.” It’s pretty cool to see another core band unashamed of their beliefs, which seems to be a pretty common practice in the Christian hard core scene (obviously common since there IS such a thing as a Christian hard core scene).

Holy freaking no way. Available at THE Hot Topic!
Now what about the music? Well since I don’t listen to this kind of stuff, how could I possibly give a good opinion of it? I will tell you this, the album is very well recorded and produced, and VERY tight. By tight, I mean they follow the metronome extremely well, which is important for metal… right? The guys voice annoys the hell out of me, but again, that’s usual for me with this stuff. It sounds like every other ChristCore [sic] band out there. They do the same breakdowns, chugs, etc… Again though, the production and timing is really good. So for all I know, this could be the next greatest thing since Underoath. So I’m asking all you HxC, straightedge, two-stepper, reverse mullet, girl pant and “chucks” wearing people’s out there who like this style to tell me your opinion on it!

Underneath the Gun’s fanbase?
Final Rating: Straightedge/10 for sounding like all other hardcore bands.



